Senin, 05 Juli 2010

[C110.Ebook] PDF Download Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, by Jacqueline L. Tobin, Raymond G. Dobard

PDF Download Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, by Jacqueline L. Tobin, Raymond G. Dobard

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Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, by Jacqueline L. Tobin, Raymond G. Dobard

Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, by Jacqueline L. Tobin, Raymond G. Dobard



Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, by Jacqueline L. Tobin, Raymond G. Dobard

PDF Download Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, by Jacqueline L. Tobin, Raymond G. Dobard

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Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, by Jacqueline L. Tobin, Raymond G. Dobard

The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad.��

"A groundbreaking work."--Emerge

In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready."�� During the three years it took for Williams's narrative to unfold--and as the friendship and trust between the two women grew--Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery.

Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story.

  • Sales Rank: #27012 in Books
  • Color: Yellow
  • Brand: Anchor
  • Published on: 2000-01-18
  • Released on: 2000-01-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .70" w x 5.10" l, .60 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Great product!

Amazon.com Review
When quiltmaker Ozella McDaniels told Jacqueline Tobin of the Underground Railroad Quilt Code, it sparked Tobin to place the tale within the history of the Underground Railroad. Hidden in Plain View documents Tobin and Raymond Dobard's journey of discovery, linking Ozella's stories to other forms of hidden communication from history books, codes, and songs. Each quilt, which could be laid out to air without arousing suspicion, gave slaves directions for their escape. Ozella tells Tobin how quilt patterns like the wagon wheel, log cabin, and shoofly signaled slaves how and when to prepare for their journey. Stitching and knots created maps, showing slaves the way to safety.

The authors construct history around Ozella's story, finding evidence in cultural artifacts like slave narratives, folk songs, spirituals, documented slave codes, and children's' stories. Tobin and Dobard write that "from the time of slavery until today, secrecy was one way the black community could protect itself. If the white man didn't know what was going on, he couldn't seek reprisals." Hidden in Plain View is a multilayered and unique piece of scholarship, oral history, and cultural exploration that reveals slaves as deliberate agents in their own quest for freedom even as it shows that history can sometimes be found where you least expect it. --Amy Wan

Review
"Startling--intriguing."--The New York Times

From the Inside Flap
The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad.
"A groundbreaking work."--"Emerge
In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold--and as the friendship and trust between the two women grew--Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery.
Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story.

Most helpful customer reviews

44 of 47 people found the following review helpful.
Questionable
By Consumer
I bought this book at an historic site in Savannah, GA and assumed it was factual. The deeper I read into the book, the more I questioned what the authors wanted me to believe. There was a lot of supposition and I began to wonder if they were 'reaching' to explain something they desperately wanted to believe. I found the book difficult to read (the references made sticking to the storyline challenging). This story is based on an oral history and I think that is the major redeeming quality of this book - I do believe in the importance of ancestral history, however, it needs to be substantiated in some fashion. I bought this book thinking it was fact, and I finished the book wondering how much of this was surmised. A very slow read.

61 of 80 people found the following review helpful.
Let's get the facts straight
By A Customer
If you're interested in how human beings survive and thrive under adverse circumstances and are specifically interested in the reliance and resourcefulness of the bearers of African culture, you'll enjoy this book. I feel someone should respond to the profoundly inaccurate characterzations of this book by "danael@earthlink.net from California" and to a lesser degree "A reader from Oregon." Contrary to claims by Danael, NOWHERE in the book do the authors "attempt to usurp the origin of quilting patterns and assign them to another group." In fact, early on they state very clearly that the tradition of quilting they describe is "a cultural hybrid, mixing African encoding traditions with American quilt patterning conventions..." Another blatant inaccuracy is the statement that no original African-American quilts appear in the book. This is simply not true. The book contains color reproductions of African, traditional African-American, and contemporary African-American quilts, including a quilt belonging to Frederick Douglass. As for the Oregon reader's statement that "title is a misnomer as to total content" this is also not factual. The book's title "Hidden in Plain View: A Secret Story of Quilts and the Undeground Railroad" is a very precise and complete description of the book's contents. Another statment by the same reviewer is so inaccurate as to be bizarre: "The amount of information contained about quilts and patterns and their meanings could be explained in a 1-2 page article." The origins and possible meanings of over ten patterns are discussed, each pattern requiring several pages worth of exposition. I hope that no one is discouraged from reading this remarkable book by reviews that fail the test of basic accuracy. This book is worthy of attention and study.

6 of 14 people found the following review helpful.
Disappointed
By A Customer
It reads like a school text book, I quess I was expecting it to read more as a novel. Very factual information. The best part was about Ozella story of the underground(quilts)I thought there would be more, to me that was the best part.

See all 143 customer reviews...

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